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  • Heritage Science
  • Heritage Science

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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Bartolomucci, C;

    La campagna di rilevamento dei danni sismici sui beni archeologici compresi nel territorio del "cratere sismico" ha evidenziato una serie di risultati che possono considerarsi esemplificativi delle tipologie di danneggiamento verificatesi su tale patrimonio, di per sé molto vario sia per quanto riguarda le tipologie e le tecniche costruttive, sia per quanto riguarda i materiali, lo stato di conservazione e la consistenza stessa dei reperti. Tali testimonianze sono costituite talvolta da siti archeologici di notevole interesse e notorietà, talvolta da ritrovamenti di minore entità in luoghi ancora da esplorare. L'ambito cronologico è molto ampio, trattandosi sia di aree archeologiche vere e proprie, sia di manufatti allo stato di rudere (resti di fortificazioni, recinti, torri ecc.). In alcuni casi si tratta di costruzioni rilevanti, il cui comportamento statico-strutturale può essere analizzato con metodologie analoghe a quelle utilizzate per il rilievo del danno sui beni architettonici; in altri casi, tuttavia, più che riferirsi a un abaco predefinito di macroelementi strutturali e di meccanismi di collasso, appare utile rifarsi alla statica dei singoli elementi architettonici. In particolare, il rilievo dei danni sismici, condotto in siti archeologici le cui strutture residue sono costituite da resti murari di altezza ridotta, soggetti al solo peso proprio, ha evidenziato che i danni possono manifestarsi indipendentemente dalle condizioni di vulnerabilità derivanti dalla snellezza, dalle situazioni di vincolo, dalle interazioni con le strutture adiacenti, ecc. In linea generale si possono evidenziare differenti casistiche di danneggiamento sulle strutture archeologiche indagate, di cui si presentano alcuni casi esemplificativi.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao CNR ExploRAarrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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    Part of book or chapter of book . 2013
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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao CNR ExploRAarrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Musso, STEFANO FRANCESCO; Franco, Giovanna;
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Archivio istituziona...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Archivio istituziona...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: SEGARRA LAGUNES, MARIA MARGARITA;

    L'articolo è incentrato sul progetto di restauro e recupero dell'Anfiteatro romano di Tivoli. Abbandonato e dimenticato per molti anni, esso costituisce una parte essenziale del patrimonio culturale della città, integrato da monumenti quali la Villa d'Este, la Rocca Pia (il cui recupero sarà completato a breve) e le Scuderie Estensi. Il restauro dell'Anfiteatro pone, infatti, questioni interessanti, legate non soltanto alla conservazione del sito archeologico, ma anche alla sua comprensione, interpretazione e presentazione al pubblico (mediante ricostruzioni parziali), così inerenti agli uso compatibili. The paper is focused on the project of restoration and recovery of the Roman Amphitheatre in Tivoli. Abandoned and forgotten for many years, it is an essential part of the cultural heritage of the city, consisting in monuments such as the Villa d'Este, the Rocca Pia (whose recovery will be completed soon) and the Scuderie Estensi. Its restoration arises, in fact, interesting questions related not only to the preservation of the archaeological site, but also to its understanding, interpretation and presentation to the public (partial reconstructions), as well as to its compatible use.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archivio della Ricer...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archivio della Ricer...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Morezzi, Emanuele; Haj Ismail, Salah;
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    Publications Open Repository TOrino
    Part of book or chapter of book . 2020
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    Publications Open Repository TOrino
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Publications Open Re...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Publications Open Repository TOrino
      Part of book or chapter of book . 2020
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Publications Open Repository TOrino
      Part of book or chapter of book . 2020
  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Bartolomucci, C;

    The observation of seismic damages to archaeological sites after the 2009 earthquake in Abruzzo (Italy) has been conducted by the Regional Directorate for Cultural Heritage and by the CNR-ITC of L'Aquila, in order to test a specific form for surveying the seismic damage and the archaeological heritage vulnerability. During the survey activity it has been possible to observe not only the damages caused by the earthquake, but also the conservation status of the sites. A particularly interesting aspect was the opportunity to verify the effects of the former restoration works: the materials used have often proved to be incompatible, both from the mechanical and from the physical-chemical point of view. The use of inadequate materials has intensified the degradation of ancient materials (erosion and salt crystallization) and it has caused a concentration of seismic damages near the restored areas. Those areas with a greater rigidity have almost entirely detached from old parts, causing damage to them. Four years after the earthquake further surveys have been carried out on a few sites that were particularly critical conditions, in order to check the decay evolution. Among these, the amphitheater of Amiternum shows a collection of inappropriate interventions which it is useful to consider in view of future restorations.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao CNR ExploRAarrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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    Conference object . 2013
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao CNR ExploRAarrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Maria Paola Bracciale; Lorena Capasso; Fabrizio Sarasini; Jacopo Tirillò; +1 Authors

    In recent years, fluoropolymers have found numerous applications in the architectural field because of their combination of mechanical-chemical resistance and high transparency. In the present work, commercial fluorinated polymers, such as perfluoro alkoxy (PFA) and ethylene tetrafluoroethylene copolymer (ETFE), have been evaluated for use as protective and transparent layers on monumental and archaeological sites (to preserve mosaics or frescoes) during the phases of restoration or maintenance outdoors. Considering this specific application, the present study was developed by evaluating the evolution of the mechanical (tensile, tear propagation resistance, and low-velocity impact tests) and chemical (FTIR and DSC analysis) properties of the films after accelerated UV aging. The results that were obtained demonstrated the high resistance capacity of the ETFE, which exhibits considerably higher elastic modulus and critical tear energy values than PFA films (1075.38 MPa and 131.70 N/mm for ETFE; 625.48 MPa and 59.06 N/mm for PFA). After aging, the samples exhibited only a slight reduction of about 5% in the elastic modulus for both polymers and 10% in the critical tear energy values for PFA. Furthermore, the differences in impact resistance after aging were limited for both polymers; however, the ETFE film showed higher peak force than the PFA films (82.95 N and 42.22 N, respectively). The results obtained demonstrated the high resistance capacity of ETFE films, making them the most suitable candidate for the considered application.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Polymersarrow_drop_down
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    Polymers
    Other literature type . Article . 2022 . Peer-reviewed
    License: CC BY
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    Polymers
    Article . 2022
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    Polymers
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Polymersarrow_drop_down
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      Polymers
      Other literature type . Article . 2022 . Peer-reviewed
      License: CC BY
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      Polymers
      Article . 2022
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      Polymers
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Maria Pia Casaletto (1); Gabriel Maria Ingo (2); Cristina Ricucci (2); Tilde De Caro (2); +2 Authors

    An extensive and up-to-date investigation of the needs and expectations of European and Mediterranean mueseums and archaelogical historical sites was carried out in the framwork of both international EU and Italian projects. The assessment of the results clearly evidenced a lack of reliable and long term efficient safe materials and methods for the conservation of metals in the Mediterranean basin, where the wealth of cultural property has a major impact on tourism. The chemical composition and metallurgical features of a large number of archaeological metallic artefacts were investigated by different analytical surface and bulk techniques for the indentification of degradation agents and mecchanisms. The production of reference copper and silver-based alloys was the first step of an original experimental protocol to be used in the field of conservation of metal artefacts. These modern alloys can be used both as sacrifical substrates for testing new materials and methods for conservation and also as reference specimens for monitoring museum microclimate.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao CNR ExploRAarrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao CNR ExploRAarrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • Authors: Lagerberg, Julia;

    Rust or dry out? Objects made of iron and wood require different conservation conditions. Iron needs an RH, lower than 18% so as not to rust while wood wants as much as an RH of 50% so as not to dry out. Will a compromise on an RH of 30% be used at an exhibition, so that as much as possible of the object can be protected for the future even if the object will be destroyed over time? Techniques, chemicals and storage that are applied to one material can break down the other, causing problems with preservation. PEG impregnation, which is a good treatment for degraded wood, has a PH value of 4 and iron rusts at a PH of less than 9. One possibility is to add an inhibitor to the PEG solution, which increases the PH value, possibly overlay the iron part so that it does not come into contact with the PEG solution and then freeze-dry the object. By finally treating the iron with a rust protection, an RH that applies to wood can be applied. Another conceivable feature is choosing which material to keep. Can ICOM's professional ethics rules then be applied practically to these objects, for example in terms of ethics, minimum possible action and reversibility? Uppsats för avläggande av filosofie kandidatexamen i Kulturvård, Konservatorprogrammet 15 hp Institutionen för kulturvård Göteborgs universitet 2019:19

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: CANEVA, Giulia; CESCHIN, SIMONA; DE MARCO G.;

    Damage caused by tree root growth to archaeological monuments buried underground over the course of centuries, has been frequently reported in the city of Rome. The Domus Aurea, Nero’s Imperial residence, now lies under the Horti Traianei on the Oppian hill. These gardens, planted at the beginning of the last century, are located only 3-4m above the surviving archaeological structures. In some cases roots have damaged the vaults, sometimes creating serious structural problems. Results of the study show that a variety of species have a strong root system growing for many meters laterally, and to depths of several meters, and identification of the plants responsible for the damage has been done through study of their wood anatomy. A real and potential assessment of the risk tree roots pose to the archaeological structures has been attempted. The data collected will contribute to evaluating the risk to monuments under similar conditions and will also help to avoid errors made in managing the plant cover of archaeological sites.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archivio della Ricer...arrow_drop_down
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archivio della Ricer...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Cavalieri, Marco; Archaeologiae. Una storia al plurale. Studi e ricerche in memoria di Sara Santoro;

    È meno noto, tra i numerosi orizzonti d’interesse coltivati da Sara Santoro, il suo coinvolgimento verso non solo l’attività di ricerca archeologica ma anche di conservazione e valorizzazione dei Beni Culturali. A tal riguardo tra i vari momenti di sintesi che più l’occuparono e che lasciarono il segno nel dibattito successivo fu, all’inizio degli anni 2000, lo studio di soluzioni conservative, presentando una prima banca dati delle coperture di aree archeologiche con soluzioni innovative in termini di materiali, costi, impatto ambientale ed efficacia conservativa. Per tal motivo si è deciso di presentare una relazione che tratti del tema della progettazione e della valorizzazione di un bene archeologico, la villa di Aiano, in Toscana, che da una decina d’anni è oggetto di studio da parte dell’UCLouvain. Ad Aiano (San Gimignano – Siena) il paesaggio naturale che circonda l’area dello scavo è di indiscutibile bellezza e integrità. Ciò rende particolarmente difficile e delicato qualsiasi tipo di intervento mirato a proteggere l’area archeologica e a valorizzarla per una sua apertura al pubblico. Si tratta di una duplice difficoltà: una legata al rapporto con il contesto naturale e alla capacità di integrare le nuove strutture nel paesaggio rurale esistente; l’altra al più diretto rapporto con le testimonianze murarie, come necessità di non alterarne la percezione – casomai favorirla – oltre a rispettare e conservare appieno la loro consistenza fisica e materiale e la loro complessiva configurazione morfologica. In questi casi la strada per procedere va rintracciata nella ‘leggerezza’, utilizzata alla scala del paesaggio ma espressa anche attraverso l’uso dei materiali impiegati. Il nuovo architettonico deve offrire rispetto e cercare dialogo, evitando ogni forma di prevaricazione e arroganza. La coabitazione e convivenza tra una struttura contemporanea e un paesaggio antico è possibile solo se si sceglie il linguaggio della semplicità, vale a dire ci si esprime con soluzioni misurate alle necessità, utilizzando un lessico essenziale e privo di eccessi formalistici. Nel caso di Aiano si è scelta la semplicità del legno. Un percorso parabolico in pianta (una passerella), adatto a ricevere una completa visione del sito e superare i dislivelli e la pendenza del terreno. Inoltre parte del percorso stesso e una notevole porzione dello scavo saranno protetti da una copertura, parzialmente trasparente, posata su una struttura reticolare spaziale in acciaio o alluminio. Ovviamente il legno, più di altri materiali, pone problemi di durata e necessità di manutenzione che si trasformano, nel tempo, in costi. Tale problema troverà una possibile soluzione attraverso il recupero di un’antica tecnica giapponese, il Shou Sugi Ban, utile a proteggere il legno a mezzo di un processo superficiale di carbonizzazione. La maggiore fonte di costo nell’applicazione di questa tecnica è costituita evidentemente dalla mano d’opera necessaria. E proprio in tale fase s’inserisce la valenza civica e sociale del progetto: il Comune di San Gimignano ospita nel suo territorio un piccolo numero di profughi immigrati in attesa di asilo, desiderosi di impiegare in maniera proficua la loro giornata. Tale disponibilità costituirà la sintesi di due azioni: una partecipazione attiva alla realizzazione del progetto e conseguentemente alla sostenibilità del suo costo; l’altra, di accoglienza ed integrazione, attraverso un inserimento non astratto dentro un percorso lavorativo mirato allo specifica e concreta realizzazione di un progetto culturale di valenza pubblica. Una dimensione della ricerca integrata in cui già Sara Santoro fu pioniera.

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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Bartolomucci, C;

    La campagna di rilevamento dei danni sismici sui beni archeologici compresi nel territorio del "cratere sismico" ha evidenziato una serie di risultati che possono considerarsi esemplificativi delle tipologie di danneggiamento verificatesi su tale patrimonio, di per sé molto vario sia per quanto riguarda le tipologie e le tecniche costruttive, sia per quanto riguarda i materiali, lo stato di conservazione e la consistenza stessa dei reperti. Tali testimonianze sono costituite talvolta da siti archeologici di notevole interesse e notorietà, talvolta da ritrovamenti di minore entità in luoghi ancora da esplorare. L'ambito cronologico è molto ampio, trattandosi sia di aree archeologiche vere e proprie, sia di manufatti allo stato di rudere (resti di fortificazioni, recinti, torri ecc.). In alcuni casi si tratta di costruzioni rilevanti, il cui comportamento statico-strutturale può essere analizzato con metodologie analoghe a quelle utilizzate per il rilievo del danno sui beni architettonici; in altri casi, tuttavia, più che riferirsi a un abaco predefinito di macroelementi strutturali e di meccanismi di collasso, appare utile rifarsi alla statica dei singoli elementi architettonici. In particolare, il rilievo dei danni sismici, condotto in siti archeologici le cui strutture residue sono costituite da resti murari di altezza ridotta, soggetti al solo peso proprio, ha evidenziato che i danni possono manifestarsi indipendentemente dalle condizioni di vulnerabilità derivanti dalla snellezza, dalle situazioni di vincolo, dalle interazioni con le strutture adiacenti, ecc. In linea generale si possono evidenziare differenti casistiche di danneggiamento sulle strutture archeologiche indagate, di cui si presentano alcuni casi esemplificativi.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao CNR ExploRAarrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    CNR ExploRA
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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao CNR ExploRAarrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Musso, STEFANO FRANCESCO; Franco, Giovanna;
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Archivio istituziona...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Archivio istituziona...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: SEGARRA LAGUNES, MARIA MARGARITA;

    L'articolo è incentrato sul progetto di restauro e recupero dell'Anfiteatro romano di Tivoli. Abbandonato e dimenticato per molti anni, esso costituisce una parte essenziale del patrimonio culturale della città, integrato da monumenti quali la Villa d'Este, la Rocca Pia (il cui recupero sarà completato a breve) e le Scuderie Estensi. Il restauro dell'Anfiteatro pone, infatti, questioni interessanti, legate non soltanto alla conservazione del sito archeologico, ma anche alla sua comprensione, interpretazione e presentazione al pubblico (mediante ricostruzioni parziali), così inerenti agli uso compatibili. The paper is focused on the project of restoration and recovery of the Roman Amphitheatre in Tivoli. Abandoned and forgotten for many years, it is an essential part of the cultural heritage of the city, consisting in monuments such as the Villa d'Este, the Rocca Pia (whose recovery will be completed soon) and the Scuderie Estensi. Its restoration arises, in fact, interesting questions related not only to the preservation of the archaeological site, but also to its understanding, interpretation and presentation to the public (partial reconstructions), as well as to its compatible use.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archivio della Ricer...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archivio della Ricer...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Morezzi, Emanuele; Haj Ismail, Salah;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Publications Open Re...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Publications Open Repository TOrino
    Part of book or chapter of book . 2020
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Publications Open Repository TOrino
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Publications Open Re...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Publications Open Repository TOrino
      Part of book or chapter of book . 2020
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Publications Open Repository TOrino
      Part of book or chapter of book . 2020
  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Bartolomucci, C;

    The observation of seismic damages to archaeological sites after the 2009 earthquake in Abruzzo (Italy) has been conducted by the Regional Directorate for Cultural Heritage and by the CNR-ITC of L'Aquila, in order to test a specific form for surveying the seismic damage and the archaeological heritage vulnerability. During the survey activity it has been possible to observe not only the damages caused by the earthquake, but also the conservation status of the sites. A particularly interesting aspect was the opportunity to verify the effects of the former restoration works: the materials used have often proved to be incompatible, both from the mechanical and from the physical-chemical point of view. The use of inadequate materials has intensified the degradation of ancient materials (erosion and salt crystallization) and it has caused a concentration of seismic damages near the restored areas. Those areas with a greater rigidity have almost entirely detached from old parts, causing damage to them. Four years after the earthquake further surveys have been carried out on a few sites that were particularly critical conditions, in order to check the decay evolution. Among these, the amphitheater of Amiternum shows a collection of inappropriate interventions which it is useful to consider in view of future restorations.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao CNR ExploRAarrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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    Conference object . 2013
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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    ResearchGate Data
    Conference object . 2013
    Data sources: Datacite
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao CNR ExploRAarrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      Conference object . 2013
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    Authors: Maria Paola Bracciale; Lorena Capasso; Fabrizio Sarasini; Jacopo Tirillò; +1 Authors

    In recent years, fluoropolymers have found numerous applications in the architectural field because of their combination of mechanical-chemical resistance and high transparency. In the present work, commercial fluorinated polymers, such as perfluoro alkoxy (PFA) and ethylene tetrafluoroethylene copolymer (ETFE), have been evaluated for use as protective and transparent layers on monumental and archaeological sites (to preserve mosaics or frescoes) during the phases of restoration or maintenance outdoors. Considering this specific application, the present study was developed by evaluating the evolution of the mechanical (tensile, tear propagation resistance, and low-velocity impact tests) and chemical (FTIR and DSC analysis) properties of the films after accelerated UV aging. The results that were obtained demonstrated the high resistance capacity of the ETFE, which exhibits considerably higher elastic modulus and critical tear energy values than PFA films (1075.38 MPa and 131.70 N/mm for ETFE; 625.48 MPa and 59.06 N/mm for PFA). After aging, the samples exhibited only a slight reduction of about 5% in the elastic modulus for both polymers and 10% in the critical tear energy values for PFA. Furthermore, the differences in impact resistance after aging were limited for both polymers; however, the ETFE film showed higher peak force than the PFA films (82.95 N and 42.22 N, respectively). The results obtained demonstrated the high resistance capacity of ETFE films, making them the most suitable candidate for the considered application.

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    Polymers
    Other literature type . Article . 2022 . Peer-reviewed
    License: CC BY
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    Polymers
    Article . 2022
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    Polymers
    Article
    License: CC BY
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