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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Vasconcelos, Mara Lúcia Carrett de;

    The current state of degradation of most archaeological collections has compromised the research and protection of this heritage. To respond to these problems, some initiatives that seek to modify the current practices of preservation of archaeological collections are emerging, as the fieldwork in the Charqueada Santa Barbara archaeological site ( Pelotas, RS, Brazil ), linked to the research project Pampa Negro: Arqueologia da Escravidão na Região Sul do Rio Grande do Sul (1780-1888), which has brought together a multidisciplinary team to talk about the praxis of each area and to think of appropriate solutions for the better management and protection of archaeological collections. In the context of the conservation, protocols for preventive and curative intervention of different types of materials were developed and tested in field and laboratory. Among the types of material recovered in the excavation, metal objects, especially iron, are those most susceptible to deterioration due to the process of recovery and to the speed at which the corrosive processes occur as well as the complexity of the products resulting from these. In this context, the aim of this study was to analyze, from a study of the interface between conservation and archeology, how the conservation procedures performed in the field and laboratory in the ferrous artifacts contributed to the preservation of archaeological collections. It was expected to verify which interventions enable a better conservation of archaeological origin and of the associated information material culture, and disseminate the need for greater integration between the experts related to the safeguard of the archaeological heritage areas. It was concluded that conservation practices directly assist in the preservation of archaeological collections in its material, documentary and symbolic aspects. Therefore, the conservator has become more of a manager of these collections, in a performance that, increasingly, is turning into an agent crucial to the management of the archaeological heritage. O estado atual de degradação de grande parte dos acervos arqueológicos tem comprometido as pesquisas e a salvaguarda destes bens. Destas problemáticas vêm surgindo iniciativas que buscam a modificação das práticas atuais de preservação dos acervos arqueológicos, como o trabalho de campo do sítio Charqueada Santa Bárbara (Pelotas, RS, Brasil), vinculado ao projeto O Pampa Negro: Arqueologia da Escravidão na Região Meridional do Rio Grande do Sul (1780-1888), que reuniu uma equipe multidisciplinar a fim de dialogar a respeito da práxis de cada área e pensar de forma conjunta soluções adequadas para um melhor gerenciamento e salvaguarda dos acervos arqueológicos. No âmbito da conservação, foram elaborados e testados em campo e em laboratório protocolos de intervenção preventiva e curativa para distintos materiais. Dentre os materiais recuperados na escavação, os objetos metálicos, em especial os de ferro, estão entre aqueles mais suscetíveis à deterioração decorrente deste processo, em função da velocidade em que ocorrem os processos corrosivos e da complexidade destes. Neste contexto, o objetivo da presente pesquisa foi analisar, a partir de um estudo da interface entre Conservação e Arqueologia, de que forma os procedimentos de conservação realizados em campo e em laboratório nos artefatos em ferro contribuíram para a preservação dos acervos arqueológicos. Almejou-se verificar as intervenções que possibilitam a melhor conservação da cultura material de origem arqueológica e da informação associada, e difundir a necessidade de uma maior integração entre os especialistas das áreas relacionadas à salvaguarda do patrimônio arqueológico. Concluiu-se que as práticas de conservação auxiliam diretamente na preservação dos acervos arqueológicos, em suas instâncias material, documental e simbólica. O conservador vem se configurando, portanto, como mais um gestor destes bens, em uma atuação que, cada vez mais, se torna indispensável ao gerenciamento do patrimônio arqueológico.

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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ LAReferencia - Red F...arrow_drop_down
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    Authors: Faltermeier, Robert B.;

    This is a synopsis of the Ph.D. research undertaken at the Institute of Archaeology, University College London. The aim was to evaluate corrosion inhibitors for use in the conservation of copper and copper alloy archaeological artefacts. The objective of this work was to acquire an insight into the performance of copper corrosion inhibitors, when applied to archaeological copper.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Journal of Conservat...arrow_drop_down
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    Journal of Conservation and Museum Studies
    Article . 1997 . Peer-reviewed
    License: CC BY
    Data sources: Crossref
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Journal of Conservat...arrow_drop_down
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      Journal of Conservation and Museum Studies
      Article . 1997 . Peer-reviewed
      License: CC BY
      Data sources: Crossref
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Angelini, EMMA PAOLA MARIA VIRGINIA; Grassini, Sabrina; Peters, MANUEL JACQUES HELENA;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Publications Open Re...arrow_drop_down
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    Authors: Michette, Martin; Breuninger, Tamara; Kilian, Ralf; Nickmann, Marion; +2 Authors

    AbstractThis paper presents a case study for the testing of locally available resources selected to form a clay barrier. This is a promising technique for protecting historic masonry from ground moisture intrusion. There are several historical precedents for the use of calcareous, clayey soils to form moisture resilient barriers in architecture. More recently, specialised bentonite mixtures have arrived on the market. Assessment protocols for suitable barrier material will help establish general codes and the potential for this technique to make use of locally available resources, either in their raw state or in mixtures. In this project, a variety of different geo-materials are collected from around Pompeii to test their suitability for use in a barrier installation on a tomb in the archaeological site. The methodology consists of laboratory tests used in the assessment of barrier material for landfill engineering, and rapid tests used in earth construction. A mixture of a calcareous clay and a sand produced barrier material with suitable properties. The methodology can form the basis of assessments elsewhere, to further develop the potential of using locally available geo-resources for conservation and construction projects.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
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    Oxford University Research Archive
    Other literature type . 2023
    License: CC BY
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    Environmental Earth Sciences
    Article . 2023 . Peer-reviewed
    License: CC BY
    Data sources: Crossref
    Fraunhofer-ePrints
    Other literature type . 2023
    Data sources: Fraunhofer-ePrints
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
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      Oxford University Research Archive
      Other literature type . 2023
      License: CC BY
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      Environmental Earth Sciences
      Article . 2023 . Peer-reviewed
      License: CC BY
      Data sources: Crossref
      Fraunhofer-ePrints
      Other literature type . 2023
      Data sources: Fraunhofer-ePrints
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Ma. Cristina Ruiz Martín;

    Ante la problemática que se ha enfrentado en sitios arqueológicos del área maya en la conservación de pintura mural y relieves en estuco policromos que se preservan in situ, se ha buscado en nuevos materiales contrarrestar efectos de deterioro que pueden generar la pérdida de estos bienes. Dentro de los productos utilizados están los extractos vegetales, empleados principalmente como aditivos a morteros de cal y en el caso de Ek'Balam, como consolidante de capas de color. Se ha desarrollado una investigación para evaluar uno de estos materiales, el pixoy (Guazuma ulmifolia), y determinar su efectividad en la conservación arqueológica.Because of the conservation problems of the mural paintings and color stucco reliefs from the archaeological sites of the Mayan area which are preserved in situ, the investigation of new materials that resist deterioration effects have been a very important goal for restorers. One of these products are the vegetables extracts, used like additives for the lime, and in the case of Ek'Balam as fixatives of pictorial layer. This investigation has been developed to evaluate one of these materials, pixoy gum (Guazuma ulmifolia), and to determine its effectiveness in the archaeological conservation.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Estudios de Cultura ...arrow_drop_down
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    Estudios de Cultura Maya
    Article . 2010
    Data sources: DOAJ-Articles
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      Estudios de Cultura Maya
      Article . 2010
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    Authors: Armada, Xosé-Lois; Mañana-Borrazás, Patricia; Nicolau, Antoni; Porto Tenreiro, Yolanda; +1 Authors

    [ES] Cinco vidas, una historia ofrece una aproximación a la metalurgia y a los depósitos metálicos de la Edad del Bronce Final en la fachada atlántica europea (c. 1300-850 a.C.) partiendo de un conjunto de artefactos de la colección arqueológica de la Universidad de Santiago de Compostela. Este libro nos muestra que estos artefactos de bronce no solo nos abren una ventana a la Prehistoria, sino que también poseen una biografía reciente que resulta, en muchas ocasiones, igual o más reveladora. Tras su elaboración y uso hace unos 3.000 años, estos objetos fueron retirados de la circulación y enterrados formando acumulaciones de metal, un fenómeno que abarca amplias áreas del continente europeo y cuyo significado todavía constituye una incógnita. Recuperados a finales del siglo XIX, a menudo durante labores agrícolas, fueron a parar a manos de coleccionistas eruditos que, al final de sus vidas, decidieron donar sus colecciones a la universidad, donde siguen siendo estudiades y hoy forman parte de su acervo patrimonial. Hoy en día, las investigaciones lideradas desde el Instituto de Ciencias del Patrimonio del CSIC han permitido reconstruir esta apasionante historia y muestran que, tres milenios después, estos objetos tienen todavía mucho que contarnos. [GA] Cinco vidas, unha historia ofrece unha aproximación á metalurxia e aos depósitos metálicos da Idade do Bronce Final na fachada atlántica europea (c. 1300-850 a.C.) partindo dun conxunto de artefactos da colección arqueolóxica da Universidade de Santiago de Compostela. A exposición amósanos que estes artefactos de bronce non só nos abren unha ventá á Prehistoria, senón que tamén posúen unha biografía recente que resulta, en moitas ocasións, igual ou máis reveladora. Tras a súa elaboración e uso hai uns 3.000 anos, estes obxectos foron retirados da circulación e enterrados formando acumulacións de metal, un fenómeno que abarca amplas áreas do continente europeo e cuxo significado aínda constitúe unha incógnita. Recuperados a finais do século XIX, a miúdo durante labores agrícolas, foron parar ás mans de coleccionistas eruditos que, ao final das súas vidas, decidiron doar as súas coleccións á universidade, onde seguen a ser estudadas e hoxe forman parte do seu acervo patrimonial. Hoxe en día, as investigacións lideradas desde o Instituto de Ciencias do Patrimonio do CSIC permitiron reconstruír esta apaixonante historia e mostran que, tres milenios despois, estes obxectos teñen aínda moito que contarnos. [EN] Cinco vidas, una historia (Five lives, one history) offers an approach to Late Bronze Age metallurgy and metal hoards on the Atlantic façade of Europe (c. 1300-850 BC), based on an assemblage of archaeological artefacts from the University of Santiago de Compostela collection. This book shows us that these bronze artefacts not only open a window for us onto prehistory, but also have a recent biography that is often equally or even more revealing. Following their manufacture and use some 3,000 years ago, these objects were withdrawn from circulation and buried. They thus formed accumulations of metal, a widespread phenomenon across the European continent, the significance of which still eludes us. Discovered in the late 19th century, often during farm work, they ended up in the hands of erudite collectors who, at the end of their lives, decided to donate their collections to the university, where they are still being studied and today make up part of its heritage. Today, the research led by the CSIC Institute of Heritage Sciences has allowed us to reconstruct this exciting history and to show how, three millennia later, all these objects still have much to tell us. Esta publicación y la exposición que está en su origen son resultado del proyecto de investigación Innovación tecnolóxica, circulación do metal e artefactos metálicos de prestixio na Europa atlántica (s. XIII-I ANE) (IN607D 2016/004), desarrollado por el Incipit – CSIC y financiado por la Axencia Galega de Innovación (GAIN – Xunta de Galicia). Catálogo de la exposición con idéntico título, organizada por el Incipit – CSIC y cuyo montaje inicial tuvo lugar en el Pazo de Fonseca de Santiago de Compostela, los días 18 de julio a 31 de agosto de 2019. Editor científico: Xosé-Lois Armada. No

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  • Authors: Armada, Xosé-Lois; Mañana-Borrazás, Patricia; Nicolau, Antoni; Porto Tenreiro, Yolanda; +1 Authors

    [ES] Cinco vidas, una historia ofrece una aproximación a la metalurgia y a los depósitos metálicos de la Edad del Bronce Final en la fachada atlántica europea (c. 1300-850 a.C.) partiendo de un conjunto de artefactos de la colección arqueológica de la Universidad de Santiago de Compostela. Este libro nos muestra que estos artefactos de bronce no solo nos abren una ventana a la Prehistoria, sino que también poseen una biografía reciente que resulta, en muchas ocasiones, igual o más reveladora. Tras su elaboración y uso hace unos 3.000 años, estos objetos fueron retirados de la circulación y enterrados formando acumulaciones de metal, un fenómeno que abarca amplias áreas del continente europeo y cuyo significado todavía constituye una incógnita. Recuperados a finales del siglo XIX, a menudo durante labores agrícolas, fueron a parar a manos de coleccionistas eruditos que, al final de sus vidas, decidieron donar sus colecciones a la universidad, donde siguen siendo estudiades y hoy forman parte de su acervo patrimonial. Hoy en día, las investigaciones lideradas desde el Instituto de Ciencias del Patrimonio del CSIC han permitido reconstruir esta apasionante historia y muestran que, tres milenios después, estos objetos tienen todavía mucho que contarnos. [GA] Cinco vidas, unha historia ofrece unha aproximación á metalurxia e aos depósitos metálicos da Idade do Bronce Final na fachada atlántica europea (c. 1300-850 a.C.) partindo dun conxunto de artefactos da colección arqueolóxica da Universidade de Santiago de Compostela. A exposición amósanos que estes artefactos de bronce non só nos abren unha ventá á Prehistoria, senón que tamén posúen unha biografía recente que resulta, en moitas ocasións, igual ou máis reveladora. Tras a súa elaboración e uso hai uns 3.000 anos, estes obxectos foron retirados da circulación e enterrados formando acumulacións de metal, un fenómeno que abarca amplas áreas do continente europeo e cuxo significado aínda constitúe unha incógnita. Recuperados a finais do século XIX, a miúdo durante labores agrícolas, foron parar ás mans de coleccionistas eruditos que, ao final das súas vidas, decidiron doar as súas coleccións á universidade, onde seguen a ser estudadas e hoxe forman parte do seu acervo patrimonial. Hoxe en día, as investigacións lideradas desde o Instituto de Ciencias do Patrimonio do CSIC permitiron reconstruír esta apaixonante historia e mostran que, tres milenios despois, estes obxectos teñen aínda moito que contarnos. [EN] Cinco vidas, una historia (Five lives, one history) offers an approach to Late Bronze Age metallurgy and metal hoards on the Atlantic façade of Europe (c. 1300-850 BC), based on an assemblage of archaeological artefacts from the University of Santiago de Compostela collection. This book shows us that these bronze artefacts not only open a window for us onto prehistory, but also have a recent biography that is often equally or even more revealing. Following their manufacture and use some 3,000 years ago, these objects were withdrawn from circulation and buried. They thus formed accumulations of metal, a widespread phenomenon across the European continent, the significance of which still eludes us. Discovered in the late 19th century, often during farm work, they ended up in the hands of erudite collectors who, at the end of their lives, decided to donate their collections to the university, where they are still being studied and today make up part of its heritage. Today, the research led by the CSIC Institute of Heritage Sciences has allowed us to reconstruct this exciting history and to show how, three millennia later, all these objects still have much to tell us. Esta publicación e a exposición que está na súa orixe son resultado do proxecto de investigación Innovación tecnolóxica, circulación do metal e artefactos metálicos de prestixio na Europa atlántica (s. XIII-I ANE) (IN607D 2016/004), desenvolvido polo Incipit – CSIC e financiado pola Axencia Galega de Innovación (GAIN – Xunta de Galicia). Editor científico: Xosé-Lois Armada.-- Catálogo de la exposición con idéntico título, organizada por el Concello da Coruña bajo la dirección científica del Incipit – CSIC y celebrada en el Museo Arqueolóxico e Histórico Castelo de San Antón (A Coruña). No

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    Authors: Armada, Xosé-Lois; Mañana-Borrazás, Patricia; Nicolau, Antoni; Porto Tenreiro, Yolanda; +1 Authors

    [ES] Cinco vidas, una historia ofrece una aproximación a la metalurgia y a los depósitos metálicos de la Edad del Bronce Final en la fachada atlántica europea (c. 1300-850 a.C.) partiendo de un conjunto de artefactos de la colección arqueológica de la Universidad de Santiago de Compostela. Este libro nos muestra que estos artefactos de bronce no solo nos abren una ventana a la Prehistoria, sino que también poseen una biografía reciente que resulta, en muchas ocasiones, igual o más reveladora. Tras su elaboración y uso hace unos 3.000 años, estos objetos fueron retirados de la circulación y enterrados formando acumulaciones de metal, un fenómeno que abarca amplias áreas del continente europeo y cuyo significado todavía constituye una incógnita. Recuperados a finales del siglo XIX, a menudo durante labores agrícolas, fueron a parar a manos de coleccionistas eruditos que, al final de sus vidas, decidieron donar sus colecciones a la universidad, donde siguen siendo estudiades y hoy forman parte de su acervo patrimonial. Hoy en día, las investigaciones lideradas desde el Instituto de Ciencias del Patrimonio del CSIC han permitido reconstruir esta apasionante historia y muestran que, tres milenios después, estos objetos tienen todavía mucho que contarnos. [GA] Cinco vidas, unha historia ofrece unha aproximación á metalurxia e aos depósitos metálicos da Idade do Bronce Final na fachada atlántica europea (c. 1300-850 a.C.) partindo dun conxunto de artefactos da colección arqueolóxica da Universidade de Santiago de Compostela. A exposición amósanos que estes artefactos de bronce non só nos abren unha ventá á Prehistoria, senón que tamén posúen unha biografía recente que resulta, en moitas ocasións, igual ou máis reveladora. Tras a súa elaboración e uso hai uns 3.000 anos, estes obxectos foron retirados da circulación e enterrados formando acumulacións de metal, un fenómeno que abarca amplas áreas do continente europeo e cuxo significado aínda constitúe unha incógnita. Recuperados a finais do século XIX, a miúdo durante labores agrícolas, foron parar ás mans de coleccionistas eruditos que, ao final das súas vidas, decidiron doar as súas coleccións á universidade, onde seguen a ser estudadas e hoxe forman parte do seu acervo patrimonial. Hoxe en día, as investigacións lideradas desde o Instituto de Ciencias do Patrimonio do CSIC permitiron reconstruír esta apaixonante historia e mostran que, tres milenios despois, estes obxectos teñen aínda moito que contarnos. [EN] Cinco vidas, una historia (Five lives, one history) offers an approach to Late Bronze Age metallurgy and metal hoards on the Atlantic façade of Europe (c. 1300-850 BC), based on an assemblage of archaeological artefacts from the University of Santiago de Compostela collection. This book shows us that these bronze artefacts not only open a window for us onto prehistory, but also have a recent biography that is often equally or even more revealing. Following their manufacture and use some 3,000 years ago, these objects were withdrawn from circulation and buried. They thus formed accumulations of metal, a widespread phenomenon across the European continent, the significance of which still eludes us. Discovered in the late 19th century, often during farm work, they ended up in the hands of erudite collectors who, at the end of their lives, decided to donate their collections to the university, where they are still being studied and today make up part of its heritage. Today, the research led by the CSIC Institute of Heritage Sciences has allowed us to reconstruct this exciting history and to show how, three millennia later, all these objects still have much to tell us. Esta publicación e a exposición que está na súa orixe son resultado do proxecto de investigación Innovación tecnolóxica, circulación do metal e artefactos metálicos de prestixio na Europa atlántica (s. XIII-I ANE) (IN607D 2016/004), desenvolvido polo Incipit – CSIC e financiado pola Axencia Galega de Innovación (GAIN – Xunta de Galicia). Editor científico: Xosé-Lois Armada.-- Catálogo de la exposición con idéntico título, organizada por el Concello da Coruña bajo la dirección científica del Incipit – CSIC y celebrada en el Museo Arqueolóxico e Histórico Castelo de San Antón (A Coruña). No

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    Authors: Cezar, Tody M.;

    This paper looks at the artificially induced surface conversion of calcium carbonate to the more durable calcium oxalate. Extensive research is being carried out on wall paintings and marble sculpture at the Opicificio delle Pietre Dure e Laboratori di Restauro in Florence, Encouraged by their work, I have researched the effectiveness of the conversion on English limestones. The treated samples have been compared to untreated samples for appearance, hardness, resistance to acid and alkali, porosity, and durability. The results have been assessed considering ease of use, effectiveness, and the appropriateness of the treatment.

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    Journal of Conservation and Museum Studies
    Article . 1998 . Peer-reviewed
    License: CC BY
    Data sources: Crossref
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      Journal of Conservation and Museum Studies
      Article . 1998 . Peer-reviewed
      License: CC BY
      Data sources: Crossref
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    Authors: Chiossi, Bruno Perea; Silva, Marina Jardim e;

    This article focuses on the development process of Conservation and Archaeology, highlighting some moments in which these fields approach and touch each other. The mid-nineteenth century was established as a starting point, when, in Rio de Janeiro, we identified the presence of these branches in the structures of imperial institutions. In the early 20th century, the former National Historic and Artistic Heritage Service (Sphan) was formed, today named the National Historic and Artistic Heritage Institute (Iphan), which considers the preservation of the national archaeological heritage - and consequently its conservation – as part of its mission. It was an important moment to understand the establishment of more robust legislation that was consummated with the enactment of Law nº 3.924/1961. Este artículo se centró en el proceso de desarrollo de la Conservación y la Arqueología, destacando algunos momentos en los que estos campos se acercan y tocan. Se estableció como punto de partida la mitad del siglo XIX, cuando, en Río de Janeiro, se identificó la presencia de estas ramas en las estructuras de las instituciones imperiales. Se constituye el antiguo Servicio del Patrimonio Histórico y Artístico Nacional (Sphan), hoy Instituto del Patrimonio Histórico y Artístico Nacional (Iphan), organismo creado a principios del siglo XX que considera la preservación del patrimonio arqueológico nacional -y en consecuencia su conservación.- como parte de su misión. Es un momento fundamental para que entendamos el establecimiento de una legislación más robusta que se consuma con la sanción de la Ley nº 3.924/1961. Este artigo debruçou-se sobre o processo de desenvolvimento da Conservação e da Arqueologia, destacando alguns momentos em que esses campos se aproximam e se tangenciam. Estabeleceu-se como ponto de partida meados do século XIX, quando, no Rio de Janeiro, identifica-se a presença desses ramos nas estruturas das instituições imperiais. Passa-se à formação do antigo Serviço do Patrimônio Histórico e Artístico Nacional (Sphan), hoje Instituto do Patrimônio Histórico e Artístico Nacional (Iphan), órgão criado no início do século XX que considera a preservação do patrimônio arqueológico nacional – e consequentemente sua conservação – como parte de sua missão. Trata-se de momento fundamental para entendermos o estabelecimento de uma legislação mais robusta que se consuma com a promulgação da Lei nº 3.924/1961.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Vasconcelos, Mara Lúcia Carrett de;

    The current state of degradation of most archaeological collections has compromised the research and protection of this heritage. To respond to these problems, some initiatives that seek to modify the current practices of preservation of archaeological collections are emerging, as the fieldwork in the Charqueada Santa Barbara archaeological site ( Pelotas, RS, Brazil ), linked to the research project Pampa Negro: Arqueologia da Escravidão na Região Sul do Rio Grande do Sul (1780-1888), which has brought together a multidisciplinary team to talk about the praxis of each area and to think of appropriate solutions for the better management and protection of archaeological collections. In the context of the conservation, protocols for preventive and curative intervention of different types of materials were developed and tested in field and laboratory. Among the types of material recovered in the excavation, metal objects, especially iron, are those most susceptible to deterioration due to the process of recovery and to the speed at which the corrosive processes occur as well as the complexity of the products resulting from these. In this context, the aim of this study was to analyze, from a study of the interface between conservation and archeology, how the conservation procedures performed in the field and laboratory in the ferrous artifacts contributed to the preservation of archaeological collections. It was expected to verify which interventions enable a better conservation of archaeological origin and of the associated information material culture, and disseminate the need for greater integration between the experts related to the safeguard of the archaeological heritage areas. It was concluded that conservation practices directly assist in the preservation of archaeological collections in its material, documentary and symbolic aspects. Therefore, the conservator has become more of a manager of these collections, in a performance that, increasingly, is turning into an agent crucial to the management of the archaeological heritage. O estado atual de degradação de grande parte dos acervos arqueológicos tem comprometido as pesquisas e a salvaguarda destes bens. Destas problemáticas vêm surgindo iniciativas que buscam a modificação das práticas atuais de preservação dos acervos arqueológicos, como o trabalho de campo do sítio Charqueada Santa Bárbara (Pelotas, RS, Brasil), vinculado ao projeto O Pampa Negro: Arqueologia da Escravidão na Região Meridional do Rio Grande do Sul (1780-1888), que reuniu uma equipe multidisciplinar a fim de dialogar a respeito da práxis de cada área e pensar de forma conjunta soluções adequadas para um melhor gerenciamento e salvaguarda dos acervos arqueológicos. No âmbito da conservação, foram elaborados e testados em campo e em laboratório protocolos de intervenção preventiva e curativa para distintos materiais. Dentre os materiais recuperados na escavação, os objetos metálicos, em especial os de ferro, estão entre aqueles mais suscetíveis à deterioração decorrente deste processo, em função da velocidade em que ocorrem os processos corrosivos e da complexidade destes. Neste contexto, o objetivo da presente pesquisa foi analisar, a partir de um estudo da interface entre Conservação e Arqueologia, de que forma os procedimentos de conservação realizados em campo e em laboratório nos artefatos em ferro contribuíram para a preservação dos acervos arqueológicos. Almejou-se verificar as intervenções que possibilitam a melhor conservação da cultura material de origem arqueológica e da informação associada, e difundir a necessidade de uma maior integração entre os especialistas das áreas relacionadas à salvaguarda do patrimônio arqueológico. Concluiu-se que as práticas de conservação auxiliam diretamente na preservação dos acervos arqueológicos, em suas instâncias material, documental e simbólica. O conservador vem se configurando, portanto, como mais um gestor destes bens, em uma atuação que, cada vez mais, se torna indispensável ao gerenciamento do patrimônio arqueológico.

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    Authors: Faltermeier, Robert B.;

    This is a synopsis of the Ph.D. research undertaken at the Institute of Archaeology, University College London. The aim was to evaluate corrosion inhibitors for use in the conservation of copper and copper alloy archaeological artefacts. The objective of this work was to acquire an insight into the performance of copper corrosion inhibitors, when applied to archaeological copper.

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    Journal of Conservation and Museum Studies
    Article . 1997 . Peer-reviewed
    License: CC BY
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      Journal of Conservation and Museum Studies
      Article . 1997 . Peer-reviewed
      License: CC BY
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    Authors: Angelini, EMMA PAOLA MARIA VIRGINIA; Grassini, Sabrina; Peters, MANUEL JACQUES HELENA;
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    Authors: Michette, Martin; Breuninger, Tamara; Kilian, Ralf; Nickmann, Marion; +2 Authors

    AbstractThis paper presents a case study for the testing of locally available resources selected to form a clay barrier. This is a promising technique for protecting historic masonry from ground moisture intrusion. There are several historical precedents for the use of calcareous, clayey soils to form moisture resilient barriers in architecture. More recently, specialised bentonite mixtures have arrived on the market. Assessment protocols for suitable barrier material will help establish general codes and the potential for this technique to make use of locally available resources, either in their raw state or in mixtures. In this project, a variety of different geo-materials are collected from around Pompeii to test their suitability for use in a barrier installation on a tomb in the archaeological site. The methodology consists of laboratory tests used in the assessment of barrier material for landfill engineering, and rapid tests used in earth construction. A mixture of a calcareous clay and a sand produced barrier material with suitable properties. The methodology can form the basis of assessments elsewhere, to further develop the potential of using locally available geo-resources for conservation and construction projects.

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    Oxford University Research Archive
    Other literature type . 2023
    License: CC BY
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    Environmental Earth Sciences
    Article . 2023 . Peer-reviewed
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    Other literature type . 2023
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      Oxford University Research Archive
      Other literature type . 2023
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      Environmental Earth Sciences
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    Authors: Ma. Cristina Ruiz Martín;

    Ante la problemática que se ha enfrentado en sitios arqueológicos del área maya en la conservación de pintura mural y relieves en estuco policromos que se preservan in situ, se ha buscado en nuevos materiales contrarrestar efectos de deterioro que pueden generar la pérdida de estos bienes. Dentro de los productos utilizados están los extractos vegetales, empleados principalmente como aditivos a morteros de cal y en el caso de Ek'Balam, como consolidante de capas de color. Se ha desarrollado una investigación para evaluar uno de estos materiales, el pixoy (Guazuma ulmifolia), y determinar su efectividad en la conservación arqueológica.Because of the conservation problems of the mural paintings and color stucco reliefs from the archaeological sites of the Mayan area which are preserved in situ, the investigation of new materials that resist deterioration effects have been a very important goal for restorers. One of these products are the vegetables extracts, used like additives for the lime, and in the case of Ek'Balam as fixatives of pictorial layer. This investigation has been developed to evaluate one of these materials, pixoy gum (Guazuma ulmifolia), and to determine its effectiveness in the archaeological conservation.

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    Estudios de Cultura Maya
    Article . 2010
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      Estudios de Cultura Maya
      Article . 2010
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    Authors: Armada, Xosé-Lois; Mañana-Borrazás, Patricia; Nicolau, Antoni; Porto Tenreiro, Yolanda; +1 Authors

    [ES] Cinco vidas, una historia ofrece una aproximación a la metalurgia y a los depósitos metálicos de la Edad del Bronce Final en la fachada atlántica europea (c. 1300-850 a.C.) partiendo de un conjunto de artefactos de la colección arqueológica de la Universidad de Santiago de Compostela. Este libro nos muestra que estos artefactos de bronce no solo nos abren una ventana a la Prehistoria, sino que también poseen una biografía reciente que resulta, en muchas ocasiones, igual o más reveladora. Tras su elaboración y uso hace unos 3.000 años, estos objetos fueron retirados de la circulación y enterrados formando acumulaciones de metal, un fenómeno que abarca amplias áreas del continente europeo y cuyo significado todavía constituye una incógnita. Recuperados a finales del siglo XIX, a menudo durante labores agrícolas, fueron a parar a manos de coleccionistas eruditos que, al final de sus vidas, decidieron donar sus colecciones a la universidad, donde siguen siendo estudiades y hoy forman parte de su acervo patrimonial. Hoy en día, las investigaciones lideradas desde el Instituto de Ciencias del Patrimonio del CSIC han permitido reconstruir esta apasionante historia y muestran que, tres milenios después, estos objetos tienen todavía mucho que contarnos. [GA] Cinco vidas, unha historia ofrece unha aproximación á metalurxia e aos depósitos metálicos da Idade do Bronce Final na fachada atlántica europea (c. 1300-850 a.C.) partindo dun conxunto de artefactos da colección arqueolóxica da Universidade de Santiago de Compostela. A exposición amósanos que estes artefactos de bronce non só nos abren unha ventá á Prehistoria, senón que tamén posúen unha biografía recente que resulta, en moitas ocasións, igual ou máis reveladora. Tras a súa elaboración e uso hai uns 3.000 anos, estes obxectos foron retirados da circulación e enterrados formando acumulacións de metal, un fenómeno que abarca amplas áreas do continente europeo e cuxo significado aínda constitúe unha incógnita. Recuperados a finais do século XIX, a miúdo durante labores agrícolas, foron parar ás mans de coleccionistas eruditos que, ao final das súas vidas, decidiron doar as súas coleccións á universidade, onde seguen a ser estudadas e hoxe forman parte do seu acervo patrimonial. Hoxe en día, as investigacións lideradas desde o Instituto de Ciencias do Patrimonio do CSIC permitiron reconstruír esta apaixonante historia e mostran que, tres milenios despois, estes obxectos teñen aínda moito que contarnos. [EN] Cinco vidas, una historia (Five lives, one history) offers an approach to Late Bronze Age metallurgy and metal hoards on the Atlantic façade of Europe (c. 1300-850 BC), based on an assemblage of archaeological artefacts from the University of Santiago de Compostela collection. This book shows us that these bronze artefacts not only open a window for us onto prehistory, but also have a recent biography that is often equally or even more revealing. Following their manufacture and use some 3,000 years ago, these objects were withdrawn from circulation and buried. They thus formed accumulations of metal, a widespread phenomenon across the European continent, the significance of which still eludes us. Discovered in the late 19th century, often during farm work, they ended up in the hands of erudite collectors who, at the end of their lives, decided to donate their collections to the university, where they are still being studied and today make up part of its heritage. Today, the research led by the CSIC Institute of Heritage Sciences has allowed us to reconstruct this exciting history and to show how, three millennia later, all these objects still have much to tell us. Esta publicación y la exposición que está en su origen son resultado del proyecto de investigación Innovación tecnolóxica, circulación do metal e artefactos metálicos de prestixio na Europa atlántica (s. XIII-I ANE) (IN607D 2016/004), desarrollado por el Incipit – CSIC y financiado por la Axencia Galega de Innovación (GAIN – Xunta de Galicia). Catálogo de la exposición con idéntico título, organizada por el Incipit – CSIC y cuyo montaje inicial tuvo lugar en el Pazo de Fonseca de Santiago de Compostela, los días 18 de julio a 31 de agosto de 2019. Editor científico: Xosé-Lois Armada. No

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